Matt Larkin (author of some rather spiffing riffs on Nordic mythology) posted an article recently suggesting fantasy novels can benefit from the lack of systematized magic. While I find his arguments engaging, for me the best answer lies in what is revealed rather than what is systematized. …
Driven by a mix of fear his life will have so little impact that his obituary will contain unnoticed spelling errors and a converse irony about the irrelevance of celebrity, Gagnier gathers poems that both showcase the arc of his life and gently mock the project as a naïve attempt to encapsulate something both complex and incomplete. …
Discussion of Lovecraft’s work tends to focus on three things: racism, cosmic dread, and tentacles. However, as anyone who’s spoken to witnesses to an event knows, the same story becomes different depending on the author: so, while a tale of a Englishman who discovers a debased African tribe summoning a writhing horror and is traumatised by the realisation the universe isn’t designed for humans is immediately recognisable as Lovecraftian, what might distinguish Lovecraft’s version? While the exact combination of qualities might well require a theorem as long as his works put together, his core of his prose style isn’t that complex: Lovecraft’s sought to replicate a formal British style that was already considered archaic when he was writing and was more inclined to reportage than immersion. …
Millhaven’s Tales of Suspense, featuring one of my short stories, is now available. While there are a range of tones, from straight out vigilante action to cosy investigation (complete with cup cakes), all the stories feature protagonists who take action rather than sitting back.
My short story “Bad Beat” appears in the latest edition of Millhaven’s Tales of Suspense, the latest edition of Millhaven’s themed short-story magazines.
In addition to my tale of poker games gone wrong, hard-headed debt collectors, and just a smidge of weirdness, there are seven other tales of mystery, crime, and espionage, each packed with pulp action.
The edition doesn’t officially release until 1st July, but US readers can pre-order copies from the publisher today.
The April Showers F/F Sci-fi and Fantasy Book Fair curated by LC Mawson starts today, featuring fifteen speculative fiction books where a protagonist is in a female/female relationship.
I had a conversation over the weekend about whether certain genres need to be about particular things or whether they can be an aesthetic. And, as is common with discussion of genre boundaries, the discussion soon sent out a tendril into the field of literature vs. genre fiction. While the difference—if any—between literary and genre fiction is of interest to me, I was more intrigued by the question of whether the reverse of magical realism existed: a genre version of literature. So, I experimented with a pulp version of the opening of an American classic. I present it below, not to prove or disprove a hypothesis but in the hope it will amuse. …
A slight niggle delayed the paperback edition of Seven Stones: The Complete Series; however, the EPUB and MOBI editions have just emerged. Pick up your copy from one of these fine retailers.
Plagued by nightmares of shifting stone and ancient evil, Absolution Kobb, Reverend Militant of the Order of the Maker, journeys to the northern edge of civilisation. Encountering violence from both villagers and the inhuman tribes that dwell beyond the palisades, and exhausted from both his age and his visions, he is saved by two very different people: Anessa, a young villager seeking to escape a life of shopkeeping; and Haelen, an ageing healer seeking his kidnapped daughter.
At first, their aims align. However, with every step toward sealing the evil away taking them further from the simplicity of heroes opposing the darkness, they must each decide not only how far they will go but when an ally becomes a villain.
Pick up your copy today from your favourite retailer.
Behold the front cover for Seven Stones: The Complete Series, a compilation of all ninety-seven parts of my weekly swords-and-sorcery serial, soon to be available in paperback and various eformats.
The printers sent the proof copy out this morning, so—barring unexpected issues—it will be released this week or next.
One of the accusations levelled at ImmerseOrDie is that Jeff, Bryce, or I look for reasons to fail a book, that readers don’t judge books the way we do. I’ve never been inside Bryce’s head, but I feel a deep joy when a book makes it to the line; and we’re not alone in noticing issues.
<p style="text-align: justify;"Anne R Allen warns that minor errors at the start of the book could kill sales.
I’m a grammar freak, so a misplaced apostrophe or verb/object disagreement will stop me. I know not everybody is such a stickler. But I think all readers want to see that a book looks professional and polished. They don’t want to invest time in a book—even if it’s free—unless they feel they’re in competent hands.
While I agree that noticing these issues might seem to be limited to “grammar freaks”, IoD reports show issues that don’t cause us to put a book down still increase the chances that a subsequent issue will stand out enough to lose that sense of competence; so, for every reader whose attention catches on an issue, there are several who don’t stop at that point but are primed to judge later concerns harshly.
And for those who think the failures are still us being picky, remember that Allen (and people in her comment thread) believe that having a contents page that is boring – not ill-formatted, dysfunctional, or otherwise flawed, but just boring – damages sales.